It has become tough for me to control my emotions. I find them swirling and tumbling like a tornado tearing through a trailer park. At one moment I may be calm and relaxed knowing that all will be well if I only wait for the positive changes. The next I am a fierce beast ready to grasp at the throat of the first person to test my metal. Afterward however I know I would only feel regret for the damage that would be done. It seems that when I have these moments I am constantly uncomfortable with my psyche cycles.
"Mitch and Kenzie who are an experimental/visual music duo known as Hear Hums from Gainesville Florida have created an interesting and ear pleasing album with their second release Psyche Cycles. The album recently received a well deserved limited to one hundred copy cassette release from Crash Symbols who also handled the release for Foot Village. The album takes many shifts moving from calm ambience to almost angry pounding moments throughout its fourteen tracks simulating the many moods that the human mind goes through. The duo also compiled their own mind bending video all made up of footage that was shot and self edited for two singles Cerebellum and Woo that can be viewed through their Vimeo is also well worth the look at. Their third album is on its way as well and already I am interested to see what this creative duo is planning. Have a taste of Woo here then head over to have a listen to the full album which is free for download on their Bandcamp page. It is sure to peak your interest if you have tastes that lean in the experimental or psychedelic direction." good pop bad pop
é sem esperança que pare de chover, que hear hums abafa o som o da vizinhança.
é assim, o bob não pára e isso. mais três discos, mas o gajo da spinner explica melhor.
As they anxiously await Guided by Voices' New Year's Eve Bash at New York's Irving Plaza,Robert Pollard's disciples will be stoked to learn that the singer shows no sign of slowing down in 2011. According to Blurt, Pollard has three albums readied for release early next year, including a solo disc he's calling 'Space City Kicks,' plus recordings by Lifeguards, his project with ex-GBV guitarist Doug Gillard, and Mars Classroom, his collaboration with Big Dipper's Gary Waleik and Pell Mell's Robert Beeman.
'Space City Kicks,' which Pollard recorded with the help of longtime conspirator Todd Tobias, drops Jan. 18. According to a description from his label, Guided by Voices Inc., the album captures Pollard "at his loosest and most free, under which conditions he very often produces his finest work."
Meanwhile, Lifeguards' long-awaited follow-up to 2002's 'Mist King Urth' will have its official release on Feb. 15. Titled 'Waving at the Astronauts,' the disc will boast titles like 'Paradise Is Not So Bad' and 'Sexless Auto.' Six weeks later, Mars Classroom unveils 'The New Theory of Everything,' which finds the GBV mastermind in cahoots with Waleik, who fronted Boston's Big Dipper on '80s college-rock masterpieces like 'Craps.'
In less than three years, The Coathangers, Julia Kugel (guitar/vocals), Stephanie Luke (drums/vocals), Candice Jones (keyboard/vocals), and Meredith Franco (bass/vocals) have grown from a band of girlfriends buying the cheapest instruments an Atlanta pawn shop could offer, to a group of formidable, adaptable performers...
Here is the group as a group, an unbreakable unit - the chemistry and magic of all component parts interacting - all the girls or none.
You could look at them and think they're this way or that, but they will not conform. These are four really different people who have bonded beyond the point of just being friends. You might think you can pin them down, but they don't care. Their fashion isn't contrived...their music feels like music for music's sake because that's exactly what it is...natural, voluntary, spontaneous, impulsive, intuitive...and entirely better for it.
"We write all the songs together, trying everything out within a day; we switch instruments, waste time, thrive on building pressure," says Julia Kugel, "every song is an art project, a starting over, a Scramble."
Songs like "Bury Me" and "Time Passing" use chanted vocals to approach a kind of personal sloganeering - like Huggy Bear, shot with syncopated voices, but minus the political fury. In "Pussywillow," the melodic chop of the guitar brings the chorus, "This means nothing to you... It means nothing to me, too. To me, me..." lifting the call-and-response action from bratty disgust to melancholy realization, then back again.
There's a definitive strength in the scrambled vernacular of the band's songwriting. Do they bring the party, as rumor has it? Absolutely. It's an exhausting time. But what these ladies' have to give, both performing live, and on record, leads to a beautiful exhaustion: a feeling both empty and full, like at the end of intense physical activity, when your body is burned, yet charged...
Strip away the music-biz pretense like that and it leaves you with only the things that are simple, stunning, and true. The Coathangers are one of those things. Start the party.
com pouca informação acerca deste miles dunhill, ficamos só a conhecer a sua editora sediada no texas slyme records.
boa música para ver as nuvens a passar em jeito de trip de lsd.