Mostrar mensagens com a etiqueta hip hop com pé de cabra. Mostrar todas as mensagens
Mostrar mensagens com a etiqueta hip hop com pé de cabra. Mostrar todas as mensagens

domingo, 1 de abril de 2012

death grips - the fever (aye aye)



stefan burnett californiano de sacramento com o hip hop mais experimental.

assaltante com strobs e skate, sem massa gorda à volta da cintura.

sábado, 25 de junho de 2011

death grips - guillotine (it goes yah)



ai o hip hop! o caótico, o punk, o noise, o zack hill.

se é para gostar tem de ser assim.

domingo, 9 de agosto de 2009

segunda-feira, 4 de maio de 2009

the rise and fall of the boombox



http://www.npr.org/templates/story/story.php?storyId=103363836

Before there were iPods, or even CDs, and around the time cassettes let break dancers move the party to a cardboard dance floor on the sidewalk, there were boomboxes. It's been 20 years since the devices disappeared from the streets. It's high time to press rewind on this aspect of America's musical history. Back in the day, you could take your music with you and play it loud, even if people didn't want to hear it. 150 decibels of power-packed bass blasted out on street corners from New York City to Topeka. Starting in the mid-'70s, boomboxes were available everywhere, and they weren't too expensive. Young inner-city kids lugged them around, and kids in the suburbs kept them in their cars. They weren't just portable tape players with the speakers built in. You could record off the radio, and most had double cassette decks, so if you were walking down the street and you heard something you liked, you could go up to the kid and ask to dub a copy. They were called boomboxes, or ghetto blasters. But to most of the young kids in New York City, they were just a box. And the manufacturers noticed, says Fred Brathwaite, better known as Fab 5 Freddy. "People that were big fans of music at the time were into higher-fidelity, better-quality sound — bass, midrange and treble," Freddy says. "So [the manufacturers] listened to what the consumer, what the young hip kid on the streets of New York, wanted. We wanted bass."

terça-feira, 17 de março de 2009

wild style dvd












Wild Style was the first hip hop motion picture. Released independently in 1982 by First Run Features and later re-released for home video by Rhino Home Video, the movie featured actors like Fab Five Freddy, Lee Quinones, the Rock Steady Crew, The Cold Crush Brothers, Patti Astor, Sandra Fabara and Grandmaster Flash. The protagonist is the legendary New York graffiti artist "Lee" George Quinones as "Zoro". The "Wild Style" logo originally designed by TRACY168 on the film's cover was copied and applied by scenic painters Zephyr, Revolt and Sharp.[1]
The film itself is unique in that the actors play roles that were designed to show exactly how they were in real life. The movie was given a loose storyline as a means of commercializing it, but the story is not the reason it is so highly regarded. It's the culmination of legendary hip hop icons being filmed in their emergence along with a profound documentation of a new budding sub-culture that draws people to this film.

comprei este grande dvd na supafly do bairro alto.
é uma edição especial do 25º aniversário do primeiro filme sobre hip.hop.
salvé lo breako danse!

http://www.myspace.com/supaflyrecordslisboa
http://www.wildstyledvd.com/

segunda-feira, 16 de março de 2009

atitude sacana



N.W.A - straight outta compton

quinta-feira, 7 de agosto de 2008

fu-schnickens - true fuschnick



estes gajos partiam.me a carola toda na altura.